Monday, 25 November 2013

Signs of The Time; Semiotics and the Negotiation of the Meanings of Images - Notes From Powerpoint

Semiotics and the Negotiation of the Meanings of Image
“Images are produced according to the social and aesthetic conventions.”
“Conventions are like road maps: we must learn their codes for them to make sense, and the codes we learn become second nature.”
“The relationship between a word and things in the world is arbitrary and relative, not fixed.”
“Meanings change according to context and to the rules of language.”
Why call a dog “dog”? The word has meaning to us but there are many signs that define “dog”. There are different ways of attaching a word or sign with a thing.
For example, a thumbs up in Spain can be seen as an insult even if we find it a sign of being okay in England, and the sign is also an international diving sign for being okay.
“Company logos operate according to this principle of instant recognition, counting on the fact that denotative meaning (the swoosh equals Nike) will slide into connotative meanings (the swoosh means quality, coolness).”
Eg. AA’s connotative meaning is that they will fix your car, you will see their van on the road and feel protected, or Mercedes’ logo has the connotative meaning of money and quality. UN logo gives off the idea not to shoot at them in a warzone.
“Video games rely a lot on such instant recognition.”
Red barrel – blows up.
“Image/sound/word = Signifier
Meaning = Signified
The production of a sign is dependent on social, historical and cultural context. It is also dependent on the context in which the image is presented and on the viewers who interpret it.”
“Image codes change meaning in different contexts. For instance, the representation of smiles has meant many things throughout history.”
Happiness, sarcasm, madness, a grimace, a mask for something else,etc. Meanings are in flux, and not fixed.
“Film theorists apply semiotics to the interpretation of films (therefore we must be able to apply it to the interpretation of games, too).”
“Old Marlboro advertisements are well known for their equation of this cigarette brand with masculinity:
Marlboro (signifier) + masculinity (signified) = Marlboro as masculinity (sign).”
“The combination of text and image can be used to direct the viewer’s interpretation to a particular meaning through a kind of double take – the image first looks a certain way and then changes meaning with the addition of text.”
“Text functions in ads to shape the commodity signs of the image, to rein in and limit the meaning of the image in some way.”
Hns Haacke – A Breed Apart.

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